An electronic-influenced downtempo/chillout version was recorded by Boozoo Bajou and Tony Joe White in 2006. In 2000, guitarist Eric Essix covered the song on his album Southbound. Australian band Ross Hanniford Trio recorded a cover of the song on their 1994 album. More recent covers include those by indie folk-rock band Hem from their album No Word from Tom (2006), and by Boz Scaggs from his album Memphis (2013). Gregory Isaacs did a dancehall style version at the start of the 90s. In 1967 Prince Buster rewrote the lyrics and recorded a sexually explicit reggae version of this song called ' Big Five', usually found with certain words bleeped out. Several reggae covers have been recorded including ones by: Ken Parker, Lord Tanamo, Nicky Thomas, John Holt, and reggae bands The Gladiators, Manna, and The Congos. Thomas also recorded the song the same year as Benton for his album Most of All. Дavid Ruffin recorded a cover version of the song the same year as Benton, but Motown did not release the album until 2004. Randy Crawford's version from the album Secret Combination reached No. The song has been covered by a number of musicians, including Ray Charles, Otis Rush, Gil Parris, Little Milton, Dolla, Hearts Of Stone, Randy Crawford, George Benson, Nick Colionne, Tennessee Ernie Ford, Al Hirt, Johnny Rivers, Amos Garrett, Hank Williams Jr.(#21 Can.), Nat Stuckey, a Conway Twitty/ Sam Moore duet (#33 Can.), Arthur Prysock, Aaron Neville, Chris Young, Ana Popovic, The Street People, Duet by Conway Twitty and Sam Moore (the Sam in Sam and Dave) and Shelby Lynne. In 2004, it was ranked #498 on the List of Rolling Stone's 500 Greatest Songs of All Time. The RIAA certified the single gold for sales of one million copies. In Canada, the song made #2 on the RPM Magazine Hot Singles chart, #2 on the AC Chart, and #58 in the 1970 Year End Chart. It also reached number four on the Billboard Hot 100, and number two on the Adult Contemporary chart. In the spring of 1970, the song had topped the Billboard Best Selling Soul Singles chart. Included on his 'come-back' album Brook Benton Today, the melancholy song became an instant hit. Session personnel on the record included Billy Carter on organ, Dave Crawford on piano, Cornell Dupree and Jimmy O'Rourke on guitar, Harold Cowart on bass, Tubby Ziegler on drums, and Toots Thielemans on harmonica.

Benton recorded the song in November 1969 with arranger/producer Arif Mardin. In 1969, after several years without a major hit, Benton had signed to a new record label, Cotillion Records (a subsidiary of Atlantic Records), by label A&R chief and producer Jerry Wexler. So it was kind of a guide for me then on through life to always try to write what I know about.

So I was real lucky with my first tries to write something that was not only real and hit pretty close to the bone, but lasted that long. well I know about Polk because I had ate a bunch of it and I knew about rainy nights because I spent a lot of rainy nights in Marietta, Georgia. But after I heard Bobbie Gentry I sat down and thought. No original songs and I hadn't really thought about it. At that time I was doing a lot of Elvis and John Lee Hooker onstage with my drummer. So I thought if I ever tried to write, I'm going to write about something I know about.

I heard ' Ode to Billie Joe' on the radio and I thought, man, how real, because I am Billie Joe, I know that life. So those thoughts came back to me when I moved on to Texas about three months later. You could stay home and play your guitar and hangout all night. I drove a dump truck for the highway department and when it would rain you didn't have to go to work. I went down there to get a job and I was playing guitar too at the house and stuff. When I got out of high school I went to Marietta, Georgia, I had a sister living there. In a Januinterview with music journalist Ray Shasho, Tony Joe White explained the thought process behind the making of 'Rainy Night in Georgia' and ' Polk Salad Annie'.

Bartenders song explicit hank